Friday, December 6, 2013

Walter White, NAACP President

Walter Francis White (July 1, 1893 – March 21, 1955) was an American civil rights activist who led the National Association for the Advancement of Colored People (NAACP) for almost a quarter of a century and directed a broad program of legal challenges to segregation and disfranchisement. He was also a journalist, novelist, and essayist. He graduated in 1916 from Atlanta University (now Clark Atlanta University), a historically black college.

In 1918, he joined the small national staff of the National Association for the Advancement of Colored People in New York at the invitation of James Weldon Johnson. He acted as Johnson's assistant national secretary and traveled to the South to investigate. White later succeeded Johnson as the head of the NAACP, leading the organization from 1931 to 1955.

White oversaw the plans and organizational structure of the fight against public segregation. He worked with President Truman on desegregating the armed forces after the Second World War and gave him a draft for the Executive Order to implement this. Under White's leadership, the NAACP set up the Legal Defense Fund, which raised numerous legal challenges to segregation and disfranchisement, and achieved many successes. Among these was the Supreme Court ruling in Brown v. Board of Education (1954), which determined that segregated education was inherently unequal. White also quintupled NAACP membership to nearly 500,000.

Through his cultural interests and his close friendships with white literary power brokers Carl Van Vechten and Alfred A. Knopf, White was one of the founders of the "New Negro" cultural flowering. Popularly known as the "Harlem Renaissance", the period was one of intense literary and artistic production. Harlem became the center of black American intellectual and artistic life. It attracted creative people from across the nation, as did New York City in general.

White was the author of critically acclaimed novels: Fire in the Flint (1924) and Flight (1926). His non-fiction book Rope and Faggot: A Biography of Judge Lynch (1929) was a study of lynching. Additional books were A Rising Wind (1945), his autobiography A Man Called White (1948), and How Far the Promised Land (1955). Unfinished at his death was Blackjack, a novel on Harlem life and the career of an African-American boxer.

***

Walter Francis White (July 1, 1893 – March 21, 1955) was an American civil rights activist who led the National Association for the Advancement of Colored People (NAACP) for almost a quarter of a century and directed a broad program of legal challenges to segregation and disfranchisement. He was also a journalist, novelist, and essayist. He graduated in 1916 from Atlanta University (now Clark Atlanta University), a historically black college.
In 1918 he joined the small national staff of the National Association for the Advancement of Colored People in New York at the invitation of James Weldon Johnson. He acted as Johnson's assistant national secretary and traveled to the South to investigate. White later succeeded Johnson as the head of the NAACP, leading the organization from 1931 to 1955.
White oversaw the plans and organizational structure of the fight against public segregation. He worked with President Truman on desegregating the armed forces after the Second World War and gave him a draft for the Executive Order to implement this. Under White's leadership, the NAACP set up the Legal Defense Fund, which raised numerous legal challenges to segregation and disfranchisement, and achieved many successes. Among these was the Supreme Court ruling in Brown v. Board of Education (1954), which determined that segregated education was inherently unequal. White also quintupled NAACP membership to nearly 500,000.[1]


Early life and education[edit]

White was the fourth of seven children born in Atlanta to George W. White and Madeline Harrison. They belonged to the influential First Congregational Church, founded after the Civil War by freedmen and the American Missionary Association, based in the North. Of all the denominations in Georgia, the Congregationalists were among the most socially, politically and financially powerful.[2] Membership to First Congregational was the ultimate status symbol in Atlanta.[2] Among the new middle class of blacks, both of the Whites ensured that Walter and each of their children got an education. When White was born, George had graduated from Atlanta University and was a postal worker, an admired position in the federal government.[3] Madeline had graduated from Clark University and became a teacher.
Of mixed race with African and European ancestry on both sides, White's appearance showed his high proportion of European ancestry. He emphasized in his autobiography, A Man Called White (p. 3): "I am a Negro. My skin is white, my eyes are blue, my hair is blond. The traits of my race are nowhere visible upon me." Five of his great-great-great-grandparents were black and the other 27 were white. All in his family were light-skinned, and his mother Madeline was also blue-eyed and blonde.[4] It has been suggested that her maternal grandparents were Dilsia, a concubine and slave, and Dilsia's master William Henry Harrison, who much later became president of the United States. Madeline's mother Marie Harrison was one of Dilsia's mixed-race daughters by Harrison, and her father Augustus Ware was a white man.[5] White and his family identified as Negro and lived among the Atlanta Negro community. George and Madeline took a kind but firm approach in rearing their children, encouraging hard work and regular schedules.[6] In his autobiography, Walter relates that his parents ran a strict schedule on Sundays; they locked him in his room for silent prayer, a time so boring that he all but begged to do homework. His father forbade Walter from reading any books less than 25 years old, so he chose to read Dickens, Thackeray, and Trollope by the time he was 12.[7] When he was 8, he threw a rock at a white child who called him a derogatory name for drinking from the fountain reserved for Blacks.[7] Events such as this shaped Walter's self-identity. He began to develop skills to pass for white, a device he used later to preserve his safety as a civil rights investigator in the South.[7]

Career[edit]

White was educated at Atlanta University, a historically black college. WEB Du Bois had already moved to the North before White enrolled, but Du Bois and Walter’s parents knew each other well.[8] Du Bois had taught two of Walter’s older brothers at Atlanta University.[8] Du Bois and Walter White later disagreed about how best to gain civil rights for blacks, but they shared a vision for the country. After graduating in 1916 from Atlanta University, White took a position with the Standard Life Insurance Company, one of the new and most successful businesses started by African Americans in Atlanta.
He also worked to organize a chapter of the National Association for the Advancement of Colored People (NAACP) in Atlanta; the organization had been set up several years before and White was supportive of their work. He and other leaders were successful in getting the Atlanta School Board to support improving education for black children, who were kept in segregated schools that were traditionally underfunded by the white-dominated legislature.
At the invitation of James Weldon Johnson, a 25-year-old White moved to New York City, and in 1918 started working at the national headquarters of the NAACP. WEB Du Bois and other leaders of the NAACP eventually got over their concerns about his youth. Walter White took to the ranks of secretary assistant of the NAACP, eventually becoming an undercover agent in lynching investigations. With his keen investigative skills and light complexion, Walter White proved to be the NAACP's secret weapon against white mob violence.[9] White passed as white as a NAACP investigator, finding both more safety in hostile environments, and gaining freer communication with whites in cases of violations of civil and human rights, such as lynchings and hate crimes. He became involved in KKK groups in the South in order to expose those involved in lynchings and other murders. On one occasion he escaped on a train after learning of threats that a black man "passing for white" was being hunted down to be lynched.
To become a popular leader, he needed to fend off the appeal of Marcus Garvey and display a skillful verbal dexterity. His successor at the NAACP, Roy Wilkins suggested "White was one of the best talkers I've ever heard."[10]
Throughout his career, Walter White spoke out against segregation and discrimination while also suppressing manifestations of nationalism. Most notably, Walter White and WEB Du Bois' 1934 conflict was over the latter's endorsement of blacks' voluntary separation within United States society.[11]

Marriage and family[edit]

White married Gladys Powell in 1922. They had two children, Jane White, who became an actress on Broadway and television; and Walter Carl Darrow White, who lived in Germany for much of his adult life.
The Whites' long marriage ended in divorce in 1949.[12]
White generated public controversy by his marriage to Poppy Cannon, a white South African magazine editor. Many of his black colleagues and acquaintances were offended. Some said he had always wanted to be white; others said he had always been white.[13]
His ex-wife and children broke off with the couple. White's sister said that he wanted all along simply to pass as a white citizen.[13] His son changed his name from Walter White Jr. to Carl Darrow, signifying his disgust and desire to separate himself from his father.[13]
After the brouhaha, Walter White published an article in Look Magazine entitled "Has science conquered the color line?" It described a new scientific breakthrough that allowed for skin lightening, with the suggestion that such changes would eliminate the color line.[13] By describing "Whiteness as a solution for something to be aspired to, he profoundly insulted the people he had given his life to and all but destroyed his own enormous legacy." [13] He later defended the article by saying that he had intended it satirically. He wanted individual character to matter more than skin color, and wanted people of all skin tones "to realize the full range of possibilities within themselves and not just exercise the easy politics of race."[14]

NAACP[edit]

Investigating riots and lynchings[edit]

White used his appearance to increase his effectiveness in conducting investigations of lynchings and race riots in the American South. He could "pass" and talk to whites, but also identified as black and could talk to members of the African-American community. Such work was dangerous. “Through 1927 White would investigate 41 lynchings, 8 race riots, and two cases of widespread peonage, risking his life repeatedly in the backwaters of Florida, the piney woods of Georgia, and in the cotton fields of Arkansas.”[15]
In his autobiography, A Man Called White, he dedicates an entire chapter to a time when he almost joined the Ku Klux Klan undercover. White became a master of incognito investigating. He started with a letter from a friend that recruited new members of the KKK.[16] After back and forth correspondence between him and Edward Young Clark, leader of the Ku Klux Klan, it became apparent Clark was interested in White joining.[16] White was eventually invited to Atlanta, Georgia to meet with other Klan leaders, but politely declined for fear if his true identity were found out, he would be killed.[16] White used this access to Klan leaders to further his investigation into the "sinister and illegal conspiracy against human and civil rights which the Klan was concocting."[16] After deeper inquiries into White's life, Edward Young Clark stopped sending signed letters; instead White was threatened by anonymous letters stating his life would be in danger if he ever divulged any of the confidential information.[17] By this time however, White had already turned the information into the Department of Justice and New York Police Department.[17] White understood undermining the strong hold of mob violence would be crucial to progressing his cause.
One of the first riots he investigated was that of October 1919 in Elaine, Arkansas, where white vigilantes and Federal troops in Phillips County killed more than 200 black sharecroppers. The case had both labor and racial issues. The white militias had come to the town and hunted down blacks in retaliation for the killing of a white man. He was killed in a shootout at a church where black sharecroppers were meeting on issues related to organizing with an agrarian union.
White was granted credentials from the Chicago Daily News. That enabled him to obtain an interview with Governor Charles Hillman Brough of Arkansas, who would not have met with him as the representative of the NAACP. Brough gave White a letter of recommendation to help him meet people, and his autographed photograph.
White was in Phillips County for only a brief time before his identity was discovered; he took the first train back to Little Rock. The conductor told him that he was leaving "just when the fun is going to start", because they had found out that there was a "damned yellow nigger down here passing for white and the boys are going to get him."[18] Asked what they would do to him, the conductor told White, "When they get through with him he won't pass for white no more!"[18] "High yellow" was a term used at the time to refer to white-appearing blacks, mostly those of mixed-racial descent.
White published his findings about the riot and trial in the Daily News, the Chicago Defender and The Nation, as well as the NAACP's own magazine The Crisis. Governor Brough asked the United States Postal Service to prohibit the mailing of the Chicago Defender and The Crisis to Arkansas, while others attempted to enjoin distribution of the Defender at the local level.
The NAACP put together a legal defense of the men convicted and carried the case to the Supreme Court. Its ruling overturned the Elaine convictions and established important precedent about the conduct of trials. The Supreme Court found that the original trial was held under conditions that adversely affected the defendants' rights. Some of the courtroom audience were armed, as were a mob outside, so there was intimidation of the court and jury. The 79 black defendants had been quickly tried: 12 were found guilty of murder and sentenced to death; 67 were condemned to sentences from 20 years to life. No white man was prosecuted for the many black deaths.[19]

Scottsboro Trial[edit]

Walter White’s first major struggle as leader of the NAACP centered on the Scottsboro Trial and the NAACP battle against communism. The Scottsboro trial was a high profile case that the NAACP and Walter White could use to increase their following. Weeks after White secured his new position, nine black teenagers looking for work were arrested after a fight with a group of white teens as the train both were riding on passed through Scottsboro, Alabama.[20] Two white girls were also found who accused the nine black teenagers of rape. Locked in a cell awaiting trial, the "Scottsboro boys looked to be prime lynching material: dirt poor, illiterate, and of highly questionable moral character even for teenagers." [20] Because the Communist party and the NAACP had long been battling for the black community's support and leadership over the black population, Scottsboro was an important battle ground for these two groups.[21] The Communist party had to devastate black citizens' faith in the NAACP to assume sole control of leadership, and they saw a Scottsboro victory as a way to solidify this superior role over the NAACP.[21] Their case against the NAACP was easier when Walter White and other leaders were second in approaching the case after the International Labor Defense.[22] Ultimately, the case was a synopsis of conflicting ideals between the two organizations. To White, “Communism meant that blacks have two strikes against them: blacks were aliens in white society where skin color was more important than initiative or intelligence, and blacks would also be Reds which meant a double dose of hatred from white Americans”.[23] White believed the NAACP could not in any way be associated with the Communist Party for this reason. Ultimately the Communist leaders failed in solidifying their position. White stated, "The shortsightedness of the Communist leaders in the United States (led to their eventual failure); Had they been more intelligent, honest, and truthful there is no way of estimating how deeply they might have penetrated into Negro life and consciousness.[24] White meant the Communist's philosophy of branding anyone opposed to their platform was their failure. He believed the NAACP had the best defense council in the country, yet the Scottsboro boy's families chose to go with the ILD partly because they were first on the scene.[24] White believed in capitalistic America and used the Communist propaganda as leverage to promote his own cause in securing civil liberties. He advised white America to reconsider their position of unfair treatmtent because they might find the black population choosing radical alternative methods of protest.[25] Ultimately, White and other NAACP leaders decided to continue involvement with the Scottsboro boys since this was only one of many efforts they had.[26] In his autobiography, Walter White gave a critical summary of the injustice in Scottsboro, "In the intervening years it had become increasingly clear that the tragedy of a Scottsboro lies, not in the bitterly cruel injustice which it works upon its immediate victims, but also, and perhaps even more, in the cynical use of human misery by Communists in propagandizing Communism, and in the complacency with which a democratic government views the basic evils from which such a case arises. A majority of Americans still ignore, the plain implications in similar tragedies." [27]

Anti-Lynching Legislation[edit]

Walter White was also a strong proponent and supporter of anti-lynching bills. Because of his first hand experience he was well versed in the motivation of Southern Whites to complete such heinous acts. One of White’s many surveys showed 46 of 50 lynchings during the first six months of 1919 were black victims, 10 of whom were burned at the stake.[28] After the great 1919 Chicago riot, White concluded the causes of such violence were not rape, as had been rumored, but rather the result of "prejudice and economic competition." [29] This was also the conclusion of a city commission that investigated the riots; it noted that ethnic Irish had led the anti-black attacks.
Newspapers reported a decreasing number of southern lynchings in the late 1910s, but postwar violence in Northern and Midwestern cities increased under the competition of returning veterans, immigrants and African Americans for work and housing. Walter White investigated one particularly horrific example of the sadistic events in 1918. He found evidence that in Lowndes and Brooks counties, Georgia, "The killings (of many black citizens) ended with a pregnant black woman being tied to a tree and burned alive after which (the mob) split her open, and her child, still alive, was thrown to the ground and stomped by some of the members”.[30]
White lobbied for federal anti-lynching bills during his time as leader of the NAACP. In 1922, the Dyer anti-lynching bill was passed by the House, the “first piece of legislation passed by the House of Representatives since Reconstruction that specifically protected blacks from lynchings”.[31] Congress never passed the Dyer bill, as the Senate was controlled by Southerners who opposed the bill. White sponsored other civil rights legislation, also defeated by the Southern bloc: the Castigan-Wagner bill of 1935, the Gavagan bill of 1937, and the VanNuys bill of 1940. It did, however, take a monumental effort on Southerners' part both financially and politically to take the Castigan-Wagner bill out of consideration and to defeat the Gavagan bill.[31] White had become a powerful figure, and James F Byrnes of South Carolina stood on the Senate floor and said, “One Negro has ordered this bill to pass. If Walter White should consent to have this bill laid aside its advocates would desert it as quickly as football players unscramble when the whistle of the referee is heard."[31] White's word was the only thing that kept the bill before Congress. It would be easy to conclude White and the NAACP failed in their attempts to secure anti-lynching legislation, but they were able to secure the all-important public support for their cause. By 1938, a Gallup poll found that 72% of Americans and 57% of Southerners favored an anti-lynching bill.[32] Because of his strong push for antilynching legislation, White had created a strong alliance of groups that believed in the same basic ideals of civil liberty which in turn formed the basis of the modern Civil Rights Movement.[32]

Attacks on Paul Robeson[edit]

During the McCarthy era, White did not openly criticize McCarthy’s campaign in Congress against communists, which was wide-ranging. During this era, American fears of communism were heightened and the FBI had been trying to classify civil rights activists as communists. White feared a backlash on this issue might cost the NAACP its tax-exempt status and lead to equating civil rights with Soviet Communism.[33] He criticized singer/activist Paul Robeson, who was accused of pro-Soviet leanings. Together with Roy Wilkins, then editor of The Crisis, he arranged for distribution of Paul Robeson: Lost Shepherd, a leaflet discounting Robeson that was written under a pseudonym.[34]

Literary career[edit]

Through his cultural interests and his close friendships with white literary power brokers Carl Van Vechten and Alfred A. Knopf, White was one of the founders of the "New Negro" cultural flowering. Popularly known as the "Harlem Renaissance", the period was one of intense literary and artistic production. Harlem became the center of black American intellectual and artistic life. It attracted creative people from across the nation, as did New York City in general.
Writer Zora Neale Hurston accused Walter White of stealing her designed costumes from her play The Great Day.[35] White never returned the costumes to Hurston although she repeatedly asked for them by mail.[36]
White was the author of critically acclaimed novels: Fire in the Flint (1924) and Flight (1926). His non-fiction book Rope and Faggot: A Biography of Judge Lynch (1929) was a study of lynching. Additional books were A Rising Wind (1945), his autobiography A Man Called White (1948), and How Far the Promised Land (1955). Unfinished at his death was Blackjack, a novel on Harlem life and the career of an African-American boxer.

Awards and honors[edit]

***

Walter White, in full Walter Francis White (born July 1, 1893—died March 21, 1955), foremost spokesman for African Americans for almost a quarter of a century and executive secretary (1931–55) of the National Association for the Advancement of Colored People (NAACP). He waged a long and ultimately successful campaign against the lynching of blacks by white mobs in the United States.
Despite his blond hair and blue eyes, denoting that only a fraction of his ancestry was African American, White chose to go through life as a black. At age 25 he joined the NAACP national staff as assistant executive secretary under James Weldon Johnson, whom he succeeded as executive secretary. White’s principal objective became the abolition of lynching. Aided by his fair skin, he made on-the-spot investigations of lynchings and race riots and conducted a vigorous, sustained drive for enactment of a federal antilynching law. Although no such law was enacted, the climate of public opinion was markedly changed by his investigations and exposés. In 1918, when he joined the NAACP staff, 67 persons, all but 4 of them blacks, were lynched. In the year of his death, 1955, there were only three recorded lynchings, and none had occurred in the five previous years. Lynchings had become a rarity and were soon to disappear from the American scene.
In an early assault on discrimination in voting rights, White in 1930 almost single-handedly succeeded in influencing the U.S. Senate to reject by a 41–39 vote President Herbert Hoover’s nomination of Judge John J. Parker of North Carolina for appointment to the U.S. Supreme Court. (Parker was on record as being opposed to black suffrage.) At the outbreak of World War II, White assisted labour leader A. Philip Randolph in pressing for a U.S. Fair Employment Practices Committee (June 1941) that would act to ban discrimination in government and wartime industry.
White’s writings include two fictionalized accounts of a Southern lynching: The Fire in the Flint (1924) and Rope and Faggot: A Biography of Judge Lynch (1929). His autobiography, A Man Called White, was published in 1948.

Monday, December 2, 2013

T. J. Jemison, Baton Rouge Bus Boycott Leader

Rev. T. J. Jemison, Civil Rights Leader Who Organized Early Boycott, Dies at 95

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The Rev. T. J. Jemison, a civil rights pioneer who organized a 1953 bus boycott in Baton Rouge, La., that foreshadowed the one set off byRosa Parks in Montgomery, Ala., and who went on to lead the nation’s largest black Baptist organization into liberal political activism, died on Nov. 15 in Baton Rouge. He was 95.
Associated Press
The Rev. T.J. Jemison in 1960 with two students from Southern University who had just been released from jail in Baton Rouge, La. The women had been arrested in lunch-counter sit-ins.

His son, Theodore J. Jemison Jr., confirmed the death.
Mr. Jemison was one of a handful of black clergymen recognized as a leader of the first generation of the civil rights movement. He was a founding member of the Southern Christian Leadership Conference, along with the Rev. Dr. Martin Luther King Jr., the Rev. Ralph Abernathy and the Rev. Fred L. Shuttlesworth.
As president of the National Baptist Convention U.S.A.from 1982 to 1994, Mr. Jemison ushered into being the World Baptist Center in Nashville, the first national headquarters of a predominantly black church in the United States. But in 1991 he lost much of his church-based support by speaking out in defense of the boxer Mike Tyson after he was charged with rape.
Mr. Jemison was known for his political skills in the early days of the civil rights struggle, displaying a mix of charm and toughness that served him well in leading what historians say was apparently the movement’s first large-scale bus boycott.
Appointed pastor of the Mount Zion First Baptist Church in Baton Rouge in 1949, Mr. Jemison led voter registration efforts, beginning in 1950, that resulted in improved municipal services and the construction of a dozen new schools for black citizens.
In 1953 he persuaded the Baton Rouge City Council to abolish a public transportation rule barring blacks from sitting in the first 10 rows of public buses. When bus drivers went on strike to protest the change, Mr. Jemison led an eight-day boycott, starting on June 20.
Blacks accounted for 80 percent of the city’s bus ridership, and they were tired of having to stand up while some or even all of the first 10 rows went empty, Mr. Jemison said. “We were not necessarily interested at that time in ending segregation,” he said in an interview in 1993. “We were after seats.”
The dispute ended in a compromise: Only the first two rows would be reserved for whites.
Dr. King, the young pastor of the Dexter Avenue Baptist Church in Montgomery, contacted Mr. Jemison in late 1955 for advice on managing a citywide bus boycott.
“Knowing that Jemison and his associates had set up an effective private car pool, I put in a long-distance telephone call to ask him for suggestions for a similar pool in Montgomery,” Dr. King wrote in a 1958 memoir, “Stride Toward Freedom.” Mr. Jemison’s tutorial was “invaluable” in winning that fight, Dr. King added.
The yearlong Montgomery bus boycott, set off by Ms. Parks’s refusal to give up her seat to a white person, was the beginning of the end of separate-but-equal accommodations in the South.
In a statement released on Tuesday, President Obama called Mr. Jemison a man of “visionary spirit and charisma” who helped “eradicate legal segregation and improve voting rights laws for disenfranchised Americans.”
The National Baptist Convention, with 26,000 member congregations and seven million congregants, had been a nonpolitical organization when Mr. Jemison was elected president in 1982 (his father, the Rev. David Jemison, had been president from 1940 to 1953). But Mr. Jemison quickly began staking out firm, liberal positions on race-related issues, accusing President Ronald Reagan of giving “respectability to racism,” supporting the presidential candidacies of the Rev. Jesse Jackson in 1984 and 1988 and, in 1991, opposing the Persian Gulf war, which he called “a fight over oil.”
When Desiree Washington, an 18-year-old Miss Black America contestant, accused Mr. Tyson of rape in 1991, Mr. Jemison described him as a victim of racial stereotyping, prompting other church leaders and women’s groups to criticize his support as insensitive to Ms. Washington. They also accused of him of being prejudiced by Mr. Tyson’s offer (never received) of $5 million toward the building of the convention’s $12 million headquarters in Nashville.
Mr. Tyson was convicted and served three years of a six-year prison sentence.
Mr. Jemison was later indicted, though never tried, on federal perjury charges in connection with an alleged attempt to bribe Ms. Washington to drop the charges. After stepping down as president of the Baptist convention in 1994, he told interviewers that he was especially proud of his role in building the group’s new headquarters, his signature achievement, because it fulfilled a dream of his father’s.
Theodore Judson Jemison was born on Aug. 1, 1918, in Selma, Ala., the youngest of the six children of Henrietta and David Jemison. His father was also the pastor of Selma’s Tabernacle Baptist Church. The younger Mr. Jemison attended segregated public schools and graduated from the historically black Alabama State University in Montgomery before earning a divinity degree at Virginia Union University in Richmond, Va.
He remained the pastor of the Mount Zion First Baptist Church in Baton Rouge for 54 years. He retired in 2003.
Besides his son, Mr. Jemison is survived by two daughters, Dianne Jemison Pollard and Betty Jane Wagner, and nine grandchildren. His wife, Celestine Catlett Jemison, died in 2006.
Anthea Butler, an associate professor of religion and African studies at the University of Pennsylvania, said in a telephone interview that Mr. Jemison’s contributions to the civil rights cause were never widely known primarily as a result of a decision he made in 1961 as secretary of the Baptist convention.
That year, the group’s president, the Rev. Joseph H. Jackson, and Dr. King were bitterly divided over the organization’s role in the civil rights struggle; Mr. Jackson opposed involving the church in it, and Mr. Jemison sided with him.
His decision secured his place in the church hierarchy — he remained secretary for the next two decades — but forced him to reduce his role in the movement, though he said he disagreed with Mr. Jackson’s views and would eventually change the organization’s policies after succeeding Mr. Jackson in 1982.
“It’s felt that he had a sense of loyalty to the organization because of his father’s association with it,” Professor Butler said.
***

Theodore Judson Jemison (August 1, 1918 – November 15, 2013), better known as T. J. Jemison, was the president of the National Baptist Convention, USA, Inc. from 1982 to 1994. It is the largest African-American religious organization. He oversaw the construction of the Baptist World Center in Nashville, Tennessee, the headquarters of his convention.

In 1953, while minister of a large church in Baton Rouge, Louisiana, Jemison helped lead the first civil rights boycott of segregated seating in public bus service. The organization of free rides, coordinated by churches, was a model used later in 1955-1956 by the Montgomery Bus Boycott in Alabama.  Jemison was one of the founders of the Southern Christian Leadership Conference in 1957. 

In 2003, the 50th anniversary of the Baton Rouge bus boycott was honored with three days of events in the city. These were organized by a young resident born two decades after the action

T. J. Jemison was born in 1918 in Selma, Alabama where his father, the Reverend David V. Jemison, was the pastor of the Tabernacle Baptist Church. He came from a family of prominent ministers and strong churchgoing women. He attended local segregated public schools.

Jemison earned a bachelor's degree from Alabama State University, a historically black college in the state capital of Montgomery, where he joined Alpha Phi Alpha fraternity. He earned a divinity degree at Virginia Union University in the capital city of Richmond, Virginia, to prepare for the ministry. He later did graduate study at New York University in New York City.

In 1949, Jemison was first called as a minister by Mt. Zion First Baptist Church in Baton Rouge. There he worked chiefly on internal church matters, overseeing construction and continued fundraising of a new church building. At the time, his father was serving as President of the National Baptist Convention, the association of African-American Baptist churches established in 1895.

Within a few years, Jemison became involved in an early civil rights action. In 1950, the city had ended black-owned buses, requiring all residents to use its monopoly system, which enforced segregated seating. It was racially segregated by law; in practice, black citizens had to sit at the back half of the bus or stand, even if seats in the front "white" section were empty. Jemison said later he was struck by "watching buses pass by his church and seeing black people standing in the aisles, not allowed by law to sit down in seats reserved for whites. 'I thought that was just out of order, that was just cruel'." 

Making up 80 percent of the passengers on the system, African Americans were fed up with standing on buses while "white" seats remained empty, particularly after the company had raised fares from ten to fifteen cents in January 1953. Rev. Jemison took up the issue with the Baton Rouge City Council.  He testified on February 11, 1953 against the fare increase and asked for an end of the practice of reserving so many seats for whites. The city council met that demand, without abolishing segregation per se. They passed Ordinance 222, which established a first come-first served system: it allowed black passengers to board the bus from the back and take any empty seats available, while white passengers boarded from the front. In actuality though, the white drivers largely ignored the ordinance and continued to pressure blacks to sit in the rear of the buses.

When bus drivers harassed those black passengers who sought to sit in empty seats reserved for whites, Jemison tested the law on June 13, 1953, when he sat in a front seat of a bus. The next day the bus company suspended two bus drivers for not complying with the city ordinance. The drivers' union responded by striking for four days. That strike ended on June 18, 1953 when state Attorney General Fred S. LeBlanc declared the city ordinance unconstitutional on the grounds that it violated the state's compulsory segregation laws.

Reverend Jemison set up a free-ride network, coordinated by the churches, to compensate for the lack of public transit. This was its signature action for the boycott, which was also adopted for later use. "While the Baton Rouge boycott lasted only two weeks, it set protest standards, and is growing in recognition as a precedent-setting event in the history of the modern American civil rights movement."

With most of the black bus riders refusing to ride, by the third day the buses were almost entirely empty. The boycott lasted eight days, as Reverend Jemison called it off after successful negotiations between black leaders and the city council. The following day, the city council passed an ordinance under which the first-come, first-served, seating system of back-to-front and front-to-back was reinstated. In addition, they set aside the first two seats on any bus for white passengers and the back bench for black passengers, while allowing anyone to sit on any of the rows in the middle. To comply with state segregation laws, blacks and whites were prohibited from sitting next to each other within this arrangement. Jemision's model of boycotting in Baton Rouge was adopted in 1955 by organizers of the year-long Montgomery bus boycott. Dr. Martin Luther King, Jr., wrote, Jemison's "painstaking description of the Baton Rouge experience proved invaluable."

While a number of boycotters wanted to continue the action to attack segregation directly, the majority approved the compromise.

Jemison was elected as president of the National Baptist Convention, USA, Inc.,  the largest black religious organization, in 1982 and served until 1994. His best-known achievement of his tenure as president of the National Baptist Convention was the construction of the Baptist World Center in Nashville, Tennessee. It is a headquarters for the Convention. He publicly opposed the nomination of Clarence Thomas, a conservative African American as an associate justice of the United States Supreme Court. He also objected to American intervention in the Gulf War.

Toward the end of his term as convention president, Jemison faced criticism because of his support for the boxer Mike Tyson, who was convicted in a rape case against a black woman. He was strongly criticized both by church members and observers.

Approaching the end of his tenure (a result of term limits), Jemison selected Dr. W. Franklyn Richardson as his successor, but Richardson was defeated by Dr. Henry Lyons at the 1994 convention.

Jemison filed a lawsuit to try to overturn the result. Eventually, through the appeals process, the election of Dr. Lyons was upheld. Jemison individually, as well as a co-plaintiff and their counsel, was ordered to pay $150,000 in punitive damages. By a later court order, Jemison and his co-plaintiff were required to pay the other side's attorney fees. The court found that Jemison had concocted evidence to justify the suit.

Jemison died in Baton Rouge at the age of ninety-five. His body lay in repose at the Louisiana State Capitol on November 22, 2013, the 50th anniversary of the assassination of John F. Kennedy.  Services were conducted on November 23 by the Reverend Dr. Rene F. Brown, formerly of Topeka, Kansas, and Jemison's successor pastor at Mt. Zion First Baptist Church in Baton Rouge.

Two Jewish Republican officeholders spoke at the funeral.  Lieutenant Governor Jay Dardenne said that despite national prominence, Jemison's most important role ... was as shepherd of this flock and this church." Attorney General Buddy Caldwell at the ceremony quoted Psalms 37:27: "the steps of a good man are ordered by the Lord." He likened Jemison's life to the Statue of Liberty: He "gave us a torch to light the way."

United States Representative Cedric Richmond, a Democrat from Louisiana's 2nd congressional district, based in New Orleans, described himself and other African-American legislators as "direct beneficiaries of the hard work, commitment, and courage of Dr. Jemison." Reading a statement of United States President Barack H. Obama, Richmond described Jemison as "part of the generation that challenged the conscience of our nation and moved us toward justice and equality for all."

Interment followed in Green Oaks Memorial Park in Baton Rouge.
From June 19 to  June 21, 2003, the 50th anniversary of the bus boycott and its participants were honored with a community forum and three days of events.  Organizers were Marc Sternberg, a 30-year-old resident, Southern University, Louisiana State University, and major organizations. Sternberg said, "Before Dr. King had a dream, before Rosa kept her seat, and before Montgomery took a stand, Baton Rouge played its part."
In 2007, Mt. Zion First Baptist Church established the annual T. J. Jemison Race Relations Award in his honor. It was first awarded that year to Jesse Bankston, a long-term Democratic politician in Baton Rouge.





Friday, November 22, 2013

Wallace Thurman, African American Novelist

Wallace Henry Thurman (b. August 16, 1902, Salt Lake City, Utah, U.S. - d. December 22, 1934, New York, New York), was an American novelist active during the Harlem Renaissance. He also wrote essays, worked as an editor, and was a publisher of short-lived newspapers and literary journals. He is best known for his novel The Blacker the Berry: A Novel of Negro Life (1929), which explores discrimination within the black community based on skin color, with lighter skin being more highly valued.
Thurman was born in Salt Lake City to Beulah and Oscar Thurman. When Thurman was less than a month old, his father abandoned his wife and son. It was not until Wallace was 30 years old that he met his father. Between his mother's many marriages, Wallace and his mother lived in Salt Lake City with Emma Jackson, his maternal grandmother. Jackson ran a saloon from her home, selling alcohol without a license.
Thurman's early life was marked by loneliness, family instability and illness. He began grade school at age six in Boise, Idaho, but his poor health eventually led to a two-year absence from school, during which he returned to his grandmother Emma in Salt Lake City. From 1910 to 1914, Thurman lived in Chicago. Moving with his mother, he finished grammar school in Omaha, Nebraska. During this time, he suffered from persistent heart attacks. While living in Pasadena, California, in the winter of 1918, Thurman caught influenza during the worldwide Influenza Pandemic. He recovered and returned to Salt Lake City, where he finished high school.
Thurman was a voracious reader. He enjoyed the works of Plato, Aristotle, Shakespeare, Havelock Ellis, Flaubert, Charles Baudelaire and many others. He wrote his first novel at the age of 10. He attended the University of Utah from 1919 to 1920 as a pre-medical student. In 1922 he transferred to the University of Southern California in Los Angeles, but left without earning a degree.
While in Los Angeles, he met and befriended the writer Arna Bontemps, and became a reporter and columnist for a black-owned newspaper. He started a magazine, Outlet, intended to be a West Coast equivalent to The Crisis, operated by the NAACP.
In 1925, Thurman moved to Harlem. During the next decade, he worked as a ghostwriter, a publisher, and editor, as well as writing novels, plays, and articles. In 1926, he became the editor of The Messenger, a socialist journal addressed to blacks. There he was the first to publish the adult-themed stories of Langston Hughes. Thurman left the journal in October 1926 to become the editor of World Tomorrow, which was owned by whites. The following month, he collaborated in founding the literary magazine Fire!! Devoted to the Younger Negro Artists. Among its contributors were Hughes, Zora Neale Hurston, Richard Bruce Nugent, Aaron Douglas, and Gwendolyn B. Bennett.
He was able to publish only one issue of Fire!!. It challenged such figures as W. E. B. Du Bois and African Americans who had been working for social equality and racial integration. Thurman criticized them for believing that black art should serve as propaganda for those ends. He said that the New Negro movement spent too much energy trying to show white Americans that blacks were respectable and not inferior.
Thurman and others of the "Niggerati" (the deliberately ironic name he used for the young African American artists and intellectuals of the Harlem Renaissance) wanted to show the real lives of African Americans, both the good and the bad. Thurman believed that black artists should fully acknowledge and celebrate the arduous conditions of African American lives.
During this time, Thurman's flat in a rooming house, at 267 West 136th Street in Harlem, became the central meeting place of African-American literary avant-garde and visual artists. Thurman and Hurston mockingly called the room "Niggerati Manor." He had painted the walls red and black, which were the colors he used on the cover of Fire!! Nugent painted murals on the walls, some of which contained homoerotic content.
In 1928, Thurman was asked to edit a magazine called Harlem: A Forum of Negro Life; its contributors included Alain Locke, George Schuyler, and Alice Dunbar-Nelson. He put out only two issues. Afterward, Thurman became a reader for a major New York publishing company, the first African American to work in such a position.
Thurman married Louise Thompson on August 22, 1928. The marriage lasted only six months. Thompson said that Wallace was a homosexual and refused to admit it. They had one child together.
Thurman died in 1934 at the age of 32 from tuberculosis, which many suspect was exacerbated by his long fight with alcoholism.
Thurman's dark skin color attracted comment, including negative reactions from both black and white Americans. He used such colorism in his writings, attacking the black community's preference for its lighter-skinned members.
Thurman wrote a play, Harlem, which debuted on Broadway in 1929 to mixed reviews. The same year his first novel The Blacker the Berry: A Novel of Negro Life (1929) was published. The novel is now recognized as a groundbreaking work of fiction because of its focus on intra-racial prejudice and colorism within the black community, where lighter skin has historically been favored.
Three years later Thurman published Infants of the Spring (1932), a satire of the themes and the individuals of the Harlem Renaissance. He co-authored The Interne (1932), a final novel written with Abraham L. Furman, a white man.
***
The Blacker the Berry: A Novel of Negro Life (1929) is a novel by the American author Wallace Thurman, associated with the Harlem Renaissance. It was considered ground breaking for its exploration of colorism and racial discrimination within the black community, where lighter skin was often favored, especially for women.
The novel tells the story of Emma Lou Morgan, a young black woman with dark skin. It begins in Boise, Idaho and follows Morgan in her journey to college at UCLA, and a move to Harlem, New York City for work. Set during the Harlem Renaissance, the novel explores Morgan's experiences with colorism, discrimination by lighter-skinned African Americans due to her dark skin. She learns to come to terms with her skin color in order to find satisfaction in her life.
Part 1 Emma Lou
Born in Boise, Idaho, Emma Lou Morgan is an African-American girl with dark skin, and she suffers from it. Her mother and her family have lighter skin (it shows European ancestry in her family history). Emma Lou learned that her father, who left the mother and daughter soon after she was born, was a dark-skinned black man, and she appears to have taken after him. Her mother's family members comment on Emma Lou's color, thinking it will reduce her appeal for marriage. Her family help the girl try to lighten her skin with commercially available creams and bleaching, but are unsuccessful. Morgan wishes that she had been born a boy, as her mother said, "a black boy could get along, but that a black girl would never know anything but sorrow and disappointment."

The only "Negro pupil in the entire school," Emma feels conspicuous at graduation in their white robes. Her Uncle Joe encourages her to go to the University of Southern California (USC). He says she can find other black students for friends, and encourages her to study education and move to the South to teach. He believes that smaller towns like Boise "encouraged stupid color prejudice such as she encountered among the blue vein circle in her home town." Emma Lou’s maternal grandmother was closely associated with the "blue veins", those blacks who had skin light enough to show veins. Uncle Joe thought that Emma Lou could find a better life in Los Angeles, where people had more to think about.

At USC, Morgan intends to meet the "right" crowd among other Negro students. On registration day, she happens to meet Hazel Mason, another black girl, but decides when she speaks that she is lower class and the wrong sort. Other girls are pleasant enough, but never invited Emma Lou into their circle or sorority. Hazel drops out of school and Grace Giles becomes Emma Lou’s friend. One day Grace says the sorority only took light-skinned, wealthy girls.

By summer, Emma Lou felt more trapped by her skin. She began to notice that black leaders tended to have light skin or were married to women with light skin. At a picnic, she meets Weldon Taylor, a young black man. Although darker than her ideal, he attracts her. By the end of the night, she thought she was in love. Over the next two weeks, she is thrilled to be with Taylor, for "his presence and his love making."

However, Weldon traveled from town to town, finding work and a new girl each time. He was leaving Boise to become a Pullman porter but, Emma Lou took his departure as due to her color, and associated it with any setback. Two years later after graduation, she decides to move to New York City and Harlem.

Part 2 Harlem
Emma Lou goes to Harlem, where she soon meets John, a young man she decides is "too dark." She goes to an employment agency, seeking work as a stenographer. Lacking job experience, she encounters difficulties and pads her account of her skills. Sent to a real estate office for an interview, after she arrives, they tell her they have someone else in mind. After returning to the agency, Emma Lou was invited to lunch by its manager, Mrs. Blake. She was "warmed toward any suggestion of friendliness" and excited to have the chance "to make a welcome contact."

Mrs. Blake tells her about work prospects, saying that black business men had certain images for the women they hired; they wanted them pretty and light skinned. She suggests that Emma Lou go to Columbia Teacher's College to complete training for a job in the public school system. After lunch, Emma Lou began to walk along Seventh Avenue. While stopping to check her reflection, she noticed a few young black men walking by. One said to another, "There’s a girl for you ‘Fats.’" Fats replied, "Man, you know I don’t haul no coal."
Part 3 Alva
Determined to stay in New York, Emma Lou finds a job as a maid to Arline Strange, an actress "in an alleged melodrama about Negro life in Harlem." She thinks all the characters are caricatures. Arline and her brother from Chicago take Emma Lou to her first cabaret one night, where he makes her a drink from his hip flask. Emma Lou was entranced by the people dancing, and is invited by Alva, a man from another table. When the lights go up, he returns her to sit with Arline and her brother. The next morning, Alva and his roommate Braxton discuss the previous evening; agreeing that Alva did Emma Lou a favor in dancing with her.

Intrigued by the cabaret, Emma Lou talks to the stage director about being in the dance chorus. He tells her plainly the girls are chosen in part for appearance, and notes they all have lighter skin than hers. She decides to look for a new place to live, hoping to meet "the right sort of people."
One evening she goes to a casino, where she recognizes Alva. After a while she approaches him and asks if he remembers her. He politely acts as if he does, and talks and dances with her, even giving her his phone number. She calls him a couple of times before they make plans. Braxton is critical of Alva's seeing her, but he thinks, "She’s just as good as the rest, and you know what they say, ‘The Blacker the berry, the sweeter the juice.’"

Part 4 Rent Party
Alva generally did not take Emma Lou to parties or dances, as he didn't want his friends to meet her. He finally decides to take her to a "rent party." Usually he would take Geraldine, a woman with lighter skin, to more events where his friends were present. Used to manipulating young women for money, Alva liked Geraldine for herself. Emma Lou was very excited about the party, and worried that she would encounter more discrimination. Once there, they happened on to a conversation revolving around race: the differences between being a mulatto and a Negro, and individuals who are prejudiced or "color struck." Alva's group went on to rent party, where Emma Lou had more to drink than usual.

The next morning, her landlady told her she had to leave, as she wasn't meeting her boarding house's respectable standards. Emma Lou had consumed enough alcohol to warrant a visit from her land lady the next morning. Emma Lou thought more about Alva, who seemed kinder than others in her life, but she was aware of his manipulation.

Alva was having his own trouble with Braxton, who had no job and did not pay rent. He finally moved out, but Alva did not want Emma Lou to move in. One night the couple went to a theatre show, which included jokes about skin color. Emma Lou said to Alva, "You’re always taking me some place, or placing me in some position where I’ll be insulted."

One night, after an argument with Emma Lou, Alva returned to his room to find Geraldine sleeping in his bed. She told him she was pregnant with his child.
Part 5 Pyrrhic Victory
Two years later, Emma Lou works as a personal maid, more of a companion, to Clere Sloane, a retired actress. Clere is married to Campbell Kitchen, a white writer very interested in Harlem. He encouraged the young woman to seek more education in order to achieve economic independence. She often still feels out of place, with few friends. She decides to try to see Alva, although they had stopped seeing each other. As Geraldine answers the door, Emma Lou leaves without speaking to him.

Alva and Geraldine struggled with the problem of their boy, who was born disfigured. Sometimes they wished he was dead, as he seemed to have brought trouble. Alva had become alcoholic and wasted money. Geraldine worked and saved, planning to escape.

Having moved to the Y.W.C.A., Emma Lou had found some new friends. She also was studying teaching. Her friend Gwendolyn Johnson tried to make Emma Lou feel better about her appearance, but she still struggled with it. She continued to work.

Emma Lou started seeing Benson Brown, a light-skinned man described as a "yaller nigger." His appearance seemed reason enough to see him.

Emma Lou learned that Geraldine had abandoned Alva and their son. She went to him, and this time he welcomed her to his place, to care for Alva, Jr. After six months, Emma Lou begins teaching at a Harlem public school. She helped the boy to get along, but her relationship with Alva was uneasy. At the school, Emma Lou wore a lot of make-up to disguise her dark skin, but her colleagues teased her for it. Her economic independence did not totally free her.

Deciding to leave Alva and his son, Emma Lou returns to the YWCA, and calls Benson. He announces that he and Gwendolyn had been dating. They are marrying and invite her to the wedding.
Emma Lou realizes she has spent her life running. She ran away from Boise to get away from the color prejudice. Then she left Los Angeles for similar reasons. But she decide she is not running away again. She knows there are many people like her, and she has to accept herself.

Wednesday, November 20, 2013

Kalaparusha Maurice McIntyre, Tenor Saxophonist

Kalaparusha Maurice McIntyre, Tenor Saxophonist, Dies at 77


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Kalaparusha Maurice McIntyre, a saxophonist who was a founding member of the Association for the Advancement of Creative Musicians, a pioneering Chicago avant-garde coalition, died on Saturday in the Bronx. He was 77.


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Kalaparusha Maurice McIntyre, performing circa 1968.
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The cause was heart failure, his daughter, Deborah-Marcella Cohen, said.
Mr. McIntyre had an earthy, imploring sound on tenor sax, and could evoke the keen bluster of hard bop even as he pushed toward free-form abstraction. He also played flute, clarinet and percussion, and occasionally performed in face paint and tribal costume.
“At times, the music sounded like a West African procession,” Robert Palmer wrote of his playing in a 1976 New York Times concert review. “On tenor, Mr. McIntyre paced himself by alternating multinoted flurries with broad, stately melodies, and with phrases as old as the blues.”
Present at the association’s first meeting in 1965, Mr. McIntyre later articulated its objectives in an in-house newsletter, The New Regime. The priority, he wrote, was creative autonomy. But he also touched on sociopolitical issues: “We are trying to balance an unbalanced situation that is prevalent in this society.”
Maurice Benford McIntyre was born on March 24, 1936, in Clarksville, Ark., and raised in Chicago. His father was a pharmacist, his mother an English teacher. He studied music at Roosevelt University in Chicago until a drug habit derailed him, leading to a three-year stretch in prison, in Lexington, Ky., where he later said he got most of his musical education.
After returning to Chicago, he met the pianist Muhal Richard Abrams and the saxophonist Roscoe Mitchell, who were developing an aesthetic revolving around strictly original music. Mr. McIntyre became a fixture in Mr. Abrams’s Experimental Band and appeared on Mr. Mitchell’s 1966 album, “Sound,” the first release under the Association for the Advancement of Creative Musicians banner. Mr. McIntyre released his first album, “Humility in the Light of the Creator,” in 1969, the year that he adopted the name Kalaparusha Ahrah Difda, a confluence of terms from African, Indian and astrological sources. (He later modified it to Kalaparusha Maurice McIntyre.) Like many of his fellow association musicians, he began performing in Europe.
He moved to New York in 1974 and spent a productive stretch at the Creative Music Studio in Woodstock. But his career foundered in the ’80s and ’90s, and he took to busking — a practice he continued even after making several comeback albums, notably “Morning Song,” in 2004.
A documentary short made in 2010 by Danilo Parra showed him playing on subway platforms and preparing to record an album. He dedicated that album, as yet unreleased, to Antoinette Bell, his partner of more than 20 years, who survives him, along with his daughter and many grandchildren and great-grandchildren.
***
Kalaparusha Maurice McIntyre (March 24, 1936 – November 9, 2013) was an American free jazz tenor saxophonist.
McIntyre, who was born in Clarksville, Arkansas but raised in Chicago, studied at the Chicago College of Music, and during the 1960s began playing with musicians such as Malachi Favors, Muhal Richard Abrams, and Roscoe Mitchell. Along with them he became a member of the ensemble Association for the Advancement of Creative Musicians in the mid-1960s. His first solo record appeared in 1969. During this time he also recorded as a session musician for Delmark Records, playing with George Freeman, J.B. Hutto, and Little Milton, among others.
McIntyre moved to New York City in the 1970s, playing at Sam Rivers' Riveba Studios and teaching at Karl Berger's Creative Studio. He and Muhal Richard Abrams toured Europe several times. After his 1981 live album, McIntyre recorded very little, playing on the streets and in the subways of New York. His next major appearance on record was not until 1998, with Pheeroan akLaff and Michael Logan. The following year, he played with many AACM ensemble members on the album Bright Moments. He continued to release as a leader into the 2000s.
The discography of Kalaparusha Maurice McIntyre reads as follows:
As leader
  • Humility in the Light of the Creator (Delmark Records, 1969)
  • Forces and Feelings (Delmark, 1970)
  • Peace and Blessings (Black Saint Records, 1979)
  • Ram's Run (Cadence Jazz, 1981)
  • Dream Of... (CIMP, 1998)
  • South Eastern (CIMP, 2002)
  • The Moment (Entropy Stereo, 2003)
  • Morning Song (Delmark, 2004)
  • Paths to Glory (CIMP, 2004)
  • Extremes (CIMP, 2007)
As sideman
With Muhal Richard Abrams
  • Levels and Degrees of Light (Delmark, 1968)

With Roscoe Mitchell
  • Sound (Delmark, 1966)
With Ethnic Heritage Ensemble
  • Welcome (Leo Records, 1982)

Monday, November 11, 2013

Frank Wess, Basie Band Saxophonist and Flutist

Frank Wess, 91, Saxophonist and Flutist With the Basie Band, Dies

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From left, Frank Wess, playing tenor sax, with Joe Wilder and Benny Powell in 2004.
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Frank Wess, who helped popularize the flute as a jazz instrument in the 1950s and ’60s with the Count Basie Orchestra, where he was also a standout saxophone soloist, died on Wednesday in Manhattan. He was 91.
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The cause was a heart attack related to kidney failure, said his longtime companion, Sara Tsutsumi.
Mr. Wess was not the first flutist in jazz. But his tonally rich and technically deft flute solos enjoyed an unusually prominent platform: the front row of the powerhouse Basie ensemble.
Mr. Wess had been studying flute at the Modern School of Music in Washington when Basie asked him to join a big band he had formed in 1952 to highlight new compositions and arrangements, many of them by Neal Hefti. It became known as Basie’s “New Testament” band, to distinguish it from the equally impressive and popular big band he had led in the ’30s and ’40s.
Mr. Wess, who had earlier played with bands led by Billy Eckstine and others, initially resisted, saying he was weary of the road and wanted to finish school. But Basie kept calling.
“And at about the end of my school year, he called again and said he thought he could get me more exposure than I had,” Mr. Wess recalled in a 2005 interview with the website All About Jazz. “That struck a chord in me. I said, ‘Maybe that’s what I need.’ ”
He joined in 1953 and was an immediate success. Mr. Wess would play tenor saxophone for a few tunes, swapping solos with his fellow tenor player Frank Foster, then switch to flute on the next song. Beginning in 1959, he was voted best jazz flutist for five years in a row in Down Beat magazine’s critics’ poll.
The critic Gary Giddins called that Basie band “the most irreproachable virtuoso ensemble ever to work the dance-band idiom.”
Mr. Wess left Basie in 1964 and moved to New York. There, he played with a band led by the trumpeter Clark Terry and alongside the pianist Roland Hanna in the New York Jazz Quartet. He also led groups of his own and played on television (he was a member of the “Dick Cavett Show” orchestra), in recording studios and in the pit of Broadway musicals.
In the 1980s, he and Mr. Foster formed a quintet, Two Franks, that stayed together for two decades. Mr. Wess also led a big band that toured Japan and featured many Basie alumni, including the trumpeter Harry Edison, the trombonist Benny Powell and the saxophonist Billy Mitchell.
In 2007, he was named a Jazz Master by the National Endowment for the Arts.
He released several albums as a leader and continued to record and perform until earlier this year. He released “Magic 101,” featuring the pianist Kenny Barron, in June. “Magic 201” is to be released in February.
“Retire?” he said in response to a question from All About Jazz. “To what? I’ve never done anything else in my life. I never had a 9 to 5, or none of that — I wouldn’t even know where to start. So you just do what you know how to do.”
Frank Wellington Wess was born on Jan. 4, 1922, in Kansas City, Mo. His father was a school principal, and his mother was a teacher who encouraged him to learn music. When he was a boy, she took him to hear the classical tenor Roland Hayes and the blues singer Ida Cox. He received his first instrument, a saxophone, when he was 10.
He trained as a classical musician early on — on saxophone, not flute. He played in a state high school orchestra in Oklahoma, where the family had moved. The family later moved again, to Washington, where met the pianist Billy Taylor in high school. The two became lifelong friends, and Mr. Wess appears on the 1959 recording “Billy Taylor With Four Flutes.”
In addition to Ms. Tsutsumi, his survivors include two daughters, Francine and Michelle; two grandchildren; and four great-grandchildren.
He played tenor saxophone and clarinet in an Army band during World War II. Afterward, he played in the Eckstine orchestra before he began studying flute in 1949 at the Modern School. He studied under Wallace Mann of the National Symphony in Washington as well as with Harold Bennett, the longtime principal flutist for the Metropolitan Opera. And a few years later, Count Basie called.