His death was confirmed by his son, Rodd, who played drums in his band. Though he possessed gifts on a par with his most accomplished peers, Mr. Bland never achieved the popular acclaim enjoyed by contemporaries like Ray Charles and B. B. King. But he was nevertheless a mainstay on the rhythm-and-blues charts and club circuit for decades.
His vocals, punctuated by the occasional squalling shout, were restrained, exhibiting a crooner’s delicacy of phrasing and a kind of intimate pleading. He influenced everyone from the soul singers Otis Redding and Wilson Pickett to rock groups like the Allman Brothers and The Band. The rapper Jay-Z sampled Mr. Bland’s 1974 single “Ain’t No Love in the Heart of the City” on his 2001 album, “The Blueprint.”
Mr. Bland’s signature mix of blues, jazz, pop, gospel and country music was a good decade in the making. His first recordings, made in the early 1950s, found him working in the lean, unvarnished style of Mr. King, even to the point of employing falsetto vocal leaps patterned after Mr. King’s. Mr. Bland’s mid-’50s singles were more accomplished; hits like “It’s My Life, Baby” and “Farther Up the Road” are now regarded as hard-blues classics, but they still featured the driving rhythms and stinging electric guitar favored by Mr. King and others. It wasn’t until 1958’s “Little Boy Blue,” a record inspired by the homiletic delivery of the Rev. C. L. Franklin, that Mr. Bland arrived at his trademark vocal technique.
“That’s where I got my squall from,” Mr. Bland said, referring to the sermons of Mr. Franklin — “Aretha’s daddy,” as he called him — in a 1979 interview with the author Peter Guralnick. “After I had that I lost the high falsetto. I had to get some other kind of gimmick, you know, to be identified with.”
The corresponding softness in Mr. Bland’s voice, a refinement matched by the elegant formal wear in which he appeared onstage, came from listening to records by pop crooners like Nat King Cole, Tony Bennett and Perry Como.
Just as crucial to the evolution of Mr. Bland’s sound was his affiliation with the trumpet player and arranger Joe Scott, for years the director of artists and repertory for Duke Records in Houston. Given to dramatic, brass-rich arrangements, Mr. Scott, who died in 1979, supplied Mr. Bland with intricate musical backdrops that set his supple baritone in vivid relief.
The two men accounted for more than 30 Top 20 rhythm-and-blues singles for Duke from 1958 to 1968, including the No. 1 hits “I Pity the Fool” and “That’s the Way Love Is.” Steeped in vulnerability and emotional candor, his performances earned him a devoted female audience.
Though only four of his singles from these years —
“Turn On Your Love Light,” “Call on Me,” “That’s the Way Love Is” and “Ain’t Nothing You Can Do” — crossed over to the pop Top 40, Mr. Bland’s recordings resonated with the era’s blues-leaning rock acts. The Grateful Dead made “Love Light” a staple of their live shows. The Band recorded his 1964 single “Share Your Love With Me” for their 1973 album, “Moondog Matinee.” Van Morrison included a version of “Ain’t Nothing You Can Do” on his 1974 live set, “It’s Too Late to Stop Now.”
Mr. Bland himself broke through to pop audiences in the mid-’70s with “His California Album” and its more middle-of-the-road follow-up, “Dreamer.” But his greatest success always came in the rhythm-and-blues market, where he placed a total of 63 singles on the charts from 1957 to 1985. He signed with the Mississippi-based Malaco label in 1985 and made a series of well-received albums that appealed largely to fans of traditional blues and soul music.
Mr. Bland was inducted into the Rock and Roll Hall of Fame in 1992 and received a
Grammy Award for lifetime achievement in 1997.
Robert Calvin Brooks was born on Jan. 27, 1930, in Millington, Tenn., just north of Memphis. His father, I. J. Brooks, abandoned the family when Bobby was very young. His mother, Mary Lee, married Leroy Bridgeforth, who also went by the name Leroy Bland, when Bobby was 6.
Mr. Bland dropped out of school in the third grade to work in the cotton fields. Though he never learned to write music or play an instrument, he cited the music of the pioneering blues guitarist T-Bone Walker as an early influence.
After moving to Memphis in 1947, Mr. Bland began working in a garage and singing spirituals in a group called the Miniatures. In 1949 he joined the Beale Streeters, a loose-knit collective whose members at various points included Johnny Ace, Rosco Gordon, Earl Forest and B. B. King, all of whom went on to become popular blues performers as solo artists.
Mr. Bland also traveled as a part of the Johnny Ace Revue and recorded for the Chess, Modern and Duke labels before being drafted into the Army in 1952. Several of these recordings were made under the supervision of the producer Sam Phillips at Sun Studios in Memphis; none sold particularly well.
After his time in the service Mr. Bland worked as a chauffeur, a valet and an opening act for the Memphis rhythm-and-blues singer Junior Parker, just as he had for Mr. King. He toured as a headliner throughout the ’60s, playing as many as 300 one-night engagements a year, a demanding schedule that exacerbated his struggles with alcohol. He performed widely, in the United States and abroad, until shortly before his death.
In addition to his son, Rodd, Mr. Bland’s survivors include his wife, Willie Mae; a daughter, Patrice Moses; and four grandchildren. Rodd Bland said his father had recently learned that the blues singer and harmonica player James Cotton was his half-brother.
Mr. Bland’s synthesis of Southern vernacular music and classy big-band arrangements made him a stylistic pioneer, but whatever he accomplished by way of formal innovation ultimately derived from his underlying faith in the emotional power of the blues.
“I’d like to be remembered as just a good old country boy that did his best to give us something to listen to and help them through a lot of sad moments, happy moments, whatever,” he said in a 2009 interview with the syndicated “House of Blues Radio Hour.”
“Whatever moments you get of happiness, use it up, you know, if you can, because it don’t come that often.”
*****
Bobby “Blue” Bland, byname of
Robert Calvin Bland (born January 27, 1930, Rosemark, Tennessee, U.S.—died June 23, 2013, Memphis, Tennessee), American
rhythm-and-blues singer noted for his rich baritone voice, sophisticated style, and sensual delivery.
Bland began his career in Memphis, Tennessee, with bluesman
B.B. King and
ballad singer Johnny Ace (all three were part of a loose aggregation of musicians known as the Beale Streeters). Influenced by
gospel and by pop singers such as
Tony Bennett and
Andy Williams, as well as by rhythm and blues, Bland became famous with early 1960s hits for
Duke Records such as “Cry Cry Cry,” “I Pity the Fool,” “Turn on Your Lovelight,” and “That’s the Way Love Is.” Joe Scott’s arrangements were pivotal to these successes in which Bland alternated between smooth, expertly modulated phrases and fiercely shouted, gospel-style ones. Long a particular favourite of female listeners, Bland for a time sang some
disco material along with his
blues ballads, and in later years he developed the curious habit of snorting between lines. While his recording output slowed in the early 2000s, Bland maintained an active touring schedule, and he was a guest performer with B.B. King and singer-songwriter
Van Morrison. Bland was inducted into the
Rock and Roll Hall of Fame in 1992, and he was awarded a
Grammy Award for lifetime achievement in 1997.
*****
Robert Calvin "Bobby" Bland (January 27, 1930 – June 23, 2013), né
Brooks, usually known professionally as
Bobby "Blue" Bland, was an American singer of
blues and
soul.
Along with such artists as
Sam Cooke,
Ray Charles, and
Junior Parker, Bland developed a sound that mixed
gospel with the
blues and
R&B.
[1] He was described as "among the great storytellers of blues and soul music... [who] created tempestuous arias of love, betrayal and resignation, set against roiling, dramatic orchestrations, and left the listener drained but awed."
[2] He was sometimes referred to as the "Lion of the Blues" and as the "Sinatra of the Blues";
[3] his music was also influenced by
Nat King Cole.
[4]
Bland was inducted into the
Blues Hall of Fame in 1981, the
Rock and Roll Hall of Fame in 1992, and received the
Grammy Lifetime Achievement Award in 1997.
[5] The Rock and Roll Hall of Fame described him as "second in stature only to
B.B. King as a product of
Memphis's
Beale Street blues scene".
[3]
Biography[edit]
Early life[edit]
Bland was born Robert Calvin Brooks in the small town of
Rosemark, Tennessee.
[1][6] His father was I. J. Brooks, who abandoned the family not long after Robert's birth. Robert later acquired the name "Bland" from his stepfather, Leroy Bridgeforth, who was also called Leroy Bland.
[6] Bobby Bland never went to school, and remained illiterate throughout his life.
[7]
After moving to
Memphis with his mother in 1947, Bland started singing with local
gospel groups there, including amongst others The Miniatures. Eager to expand his interests, he began frequenting the city's famous
Beale Street where he became associated with an ad hoc circle of aspiring musicians including
B.B. King,
Rosco Gordon,
Junior Parker and
Johnny Ace, who collectively took the name of the Beale Streeters.
[1][2][8]
Early career[edit]
Between 1950 and 1952, he recorded unsuccessful singles for
Modern Records and, at
Ike Turner's suggestion, for
Sun Records — who licensed their recordings to the
Chess label — before signing for
Duke Records.
[7] Bland's recordings from the early 1950s show him striving for individuality, but any progress was halted by a two year spell in the
U.S. Army.
When the singer returned to Memphis in 1954 he found several of his former associates, including Johnny Ace, enjoying considerable success. He joined Ace's revue, and returned to Duke Records, which by that time had started to be run by
Houston entrepreneur
Don Robey. According to biographer Charles Farley, "Robey handed Bobby a new contract, which Bobby could not read, and helped Bobby sign his name on it". The deal gave Bland just half a cent per record sold, instead of the industry standard of 2 cents.
[7]
Bland released his first single for Duke in 1955.
[8] In 1956 he began touring on the "
chitlin' circuit" with Junior Parker in a revue called Blues Consolidated, initially doubling as Parker's valet and driver, roles he also reportedly fulfilled for B.B. King and Rosco Gordon.
[9] He began recording for Duke with bandleader Bill Harvey and arranger Joe Scott, asserting his characteristic vocal style and, with Harvey and Scott, beginning to craft the melodic big band blues singles for which he became famous, often accompanied by guitarist
Wayne Bennett.
[7] Unlike many blues musicians, Bland played no instrument.
[3]
Commercial success[edit]
His first chart success came in 1957 with the
R&B chart no. 1 hit "
Farther Up the Road", which also reached no.43 on the
Billboard Hot 100, and followed it up with a series of hits on the R&B chart including "Little Boy Blue" (1958).
[10] He also shared an album with Parker,
Blues Consolidated, in 1958.
[2] Bland's craft was most clearly heard on a series of early 1960s releases including "Cry Cry Cry", "
I Pity The Fool" — an R&B chart no.1 in 1961 — and "
Turn On Your Love Light", which became a much-covered standard. Despite credits to the contrary — often claimed by Robey— many such classic works were written by Joe Scott.
[1] Bland also recorded a hit version of
T-Bone Walker's "
Call It Stormy Monday (But Tuesday Is Just as Bad)", which was wrongly given the title of a different song, "
Stormy Monday Blues".
[2]
His final R&B no.1 came with "
That's The Way Love Is" in 1963.
[10] However, he continued to enjoy a consistent run of R&B chart entries throughout the mid-1960s. Never truly breaking into the mainstream market, Bland's highest charting song on the pop chart, "Ain't Nothing You Can Do" peaked at #20 in the same week in 1964 that
the Beatles held down the top five spots. Bland's records mostly sold on the R&B market rather than achieving
crossover success. He had 23 Top Ten hits on the
Billboard R&B charts, and in the 1996 Top R&B book by
Joel Whitburn, Bland was ranked the #13 all-time top charting artist.
[10]
Later career[edit]
Financial pressures forced the singer to cut his touring band and in 1968 the group broke up. He suffered from
depression and became increasingly dependent on alcohol,
[1] but stopped drinking in 1971. His record company Duke Records was sold by owner Don Robey to the larger
ABC Records group. This resulted in several successful and critically acclaimed contemporary blues/soul albums including
His California Album and
Dreamer, arranged by
Michael Omartian and produced by ABC staff man
Steve Barri. The albums, including the later "follow-up" in 1977
Reflections in Blue, were all recorded in Los Angeles and featured many of the city's top session musicians at the time.
The first single released from
His California Album, "This Time I'm Gone For Good" took Bland back into the pop Top 50 for the first time since 1964 and made the R&B top 10 in late 1973. The lead-off track from
Dreamer, "
Ain't No Love In the Heart of the City", was a strong R&B hit. Later it would surface again in 1978 by the hard rock band
Whitesnake featuring singer
David Coverdale. Much later it was sampled by
Kanye West on
Jay-Z's hip hop album
The Blueprint (2001). The song is also featured on the soundtrack of the crime drama
The Lincoln Lawyer (2011) starring
Matthew McConaughey.
[11] The follow-up, "I Wouldn't Treat A Dog" was his biggest R&B hit for some years, climbing to #3 in late 1974, but as usual his strength was never the pop chart (where it hit #88). Subsequent attempts at adding a
disco/
Barry White flavor were mostly unsuccessful. A return to his roots in 1980 for a
tribute album to his mentor Joe Scott, produced by music veterans Monk Higgins and
Al Bell, resulted in the album
Sweet Vibrations, but it failed to sell well outside of his traditional "
chitlin circuit" base.
In 1985, Bland was signed by
Malaco Records, specialists in traditional Southern black music for whom he made a series of albums while continuing to tour and appear at concerts with fellow blues singer
B. B. King. The two had collaborated for two albums in the 1970s. Despite occasional age-related ill health, Bland continued to record new albums for Malaco and perform occasional tours alone, with guitarist/producer
Angelo Earl and also with B.B. King, plus appearances at blues and soul festivals worldwide. Bland was inducted into the
Rock and Roll Hall of Fame in 1992. The Rock and Roll Hall of Fame described him as "second in stature only to B. B. King as a product of Memphis's Beale Street blues scene".
[3]
Collaborations and tributes[edit]
The Irish singer-songwriter
Van Morrison was an early adherent of Bland, covering "Turn On Your Love Light" while with the band
Them (he later covered "Ain't Nothing You Can't Do" on his 1974 live album
It's Too Late to Stop Now) and has on occasion had Bland as a guest singer at his concerts. He also included a previously unreleased version of a March 2000 duet of Morrison and Bland singing "
Tupelo Honey" on his 2007 compilation album,
The Best of Van Morrison Volume 3.
In 2008 the British singer and lead vocalist of
Simply Red,
Mick Hucknall, released an album,
Tribute to Bobby, containing songs associated with Bland. The album reached 18 in the
UK Albums Chart.
[12][13]
Bland continued performing until shortly before his death. He died on June 23, 2013 at his home in
Germantown, Tennessee, a suburb of
Memphis, after what family members described as "an ongoing illness". He was 83.
[6][14][15][16] After his death, his son told news media that Bland had recently discovered that musician
James Cotton was his half-brother.
[6]
Discography[edit]
Studio albums[edit]
- Blues Consolidated - 1958 (Duke Records) (with Junior Parker)
- Two Steps from the Blues (Duke 1961/MCA 2002)
- Here's the Man! - 1962 (Duke Records)
- Call On Me/That's The Way Love Is - 1963 (Duke Records)
- Ain't Nothing You Can Do - 1964 (Duke Records)
- The Soul of The Man - 1966 (Duke Records)
- Touch of The Blues - 1967 (Duke Records)
- Spotlighting The Man - 1969 (Duke Records)
- His California Album - 1973 (Dunhill Records)
- Dreamer - 1974 (Dunhill Records)
- Get On Down - 1975 (ABC Records)
- Reflections In Blue - 1977 (ABC Records)
- Come Fly With Me - 1978 (ABC Records)
- I Feel Good, I Feel Fine - 1979 (MCA Records)
- Sweet Vibrations - 1980 (MCA 27076) (tribute to Joe Scott)
- Try Me, I'm Real - 1981 (MCA 5233)
- Here We Go Again - 1982 (MCA 5297)
- Tell Mr Bland - 1983 (MCA 5425)
- You've Got Me Loving You - 1984 (MCA 52436)
- Members Only - 1985 (Malaco Records)
- After All - 1986 (Malaco Records)
- Blues You Can Use - 1987 (Malaco Records)
- Midnight Run - 1989 (Malaco Records)
- Portrait of the Blues - 1991 (Malaco Records)
- Years of Tears - 1993 (Malaco Records)
- Sad Street - 1995 (Malaco Records)
- Memphis Monday Morning - 1998 (Malaco Records)
- Blues At Midnight - 2003 (Malaco Records)
Live albums[edit]
Compilations[edit]
- The Best Of - 1967 (Duke Records)
- The Best Of Volume 2 - 1968 (Duke Records)
- First Class Blues - 1987 (Malaco Records)
- I'll take care of you - Rafael Lechowski - 2010 (Free)
- The Anthology - 2001 (MCA Records)
Singles[edit]
| Year | A-side | B-side | Label | Chart Positions |
|---|
| US Pop[17] | US
R&B[10] |
|---|
| 1952 | "Crying All Night Long" | "Dry Up Baby" | Chess | - | - |
| "Good Lovin'" | "Drifting From Town To Town" | Modern | - | - |
| "Crying" | "A Letter From A Trench In Korea" | Chess | - | - |
| "Lovin' Blues" | "I.O.U. Blues" | Duke | - | - |
| 1953 | "Army Blues" | "No Blow, No Show" | - | - |
| 1955 | "Time Out" | "It's My Life Baby" | - | - |
| "You Or None" | "Woke Up Screaming" | - | - |
| 1956 | "I Can't Put You Down" | "You've Got Bad Intentions" | - | - |
| "I Learned My Lesson" | "I Don't Believe" | - | - |
| 1957 | "Don't Want No Woman" | "I Smell Trouble" | - | - |
| "Farther Up the Road" | "Sometime Tomorrow" | 43 | 1 |
| "Teach Me (How To Love You)" | "Bobby's Blues" | - | - |
| 1958 | "You Got Me Where You Want Me" | "Loan A Helping Hand" | - | - |
| "Little Boy Blue" | "Last Night" | - | 10 |
| 1959 | "You Did Me Wrong" | "I Lost Sight Of The World" | - | - |
| "I'm Not Ashamed" | "Wishing Well" | - | 13 |
| "Is It Real" | "Someday" | - | 28 |
| "I'll Take Care of You" | "That's Why" | 89 | 2 |
| 1960 | "Lead Me On" | "Hold Me Tenderly" | - | 9 |
| "Cry Cry Cry" | "I've Been Wrong So Long" | 71 | 9 |
| 1961 | "I Pity the Fool" | "Close To You" | 46 | 1 |
| "Don't Cry No More" | "Saint James Infirmary" | 71 | 2 |
| "Turn On Your Love Light" | "You're The One (That I Need)" | 28 | 2 |
| 1962 | "Ain't That Loving You" | "Jelly, Jelly, Jelly" | 86 | 9 |
| "Who Will The Next Fool Be" | "Blue Moon" | 76 | 12 |
| "Yield Not To Temptation" | "How Does A Cheating Woman Feel" | 56 | 10 |
| "Stormy Monday Blues" | "Your Friends" | 43 | 5 |
| 1963 | "That's the Way Love Is" | "Call On Me" | 33 / 22 | 1 / 6 |
| "Sometimes You Gotta Cry A Little" | "You're Worth It All" | 56 | 28 |
| "The Feeling Is Gone" | "I Can't Stop Singing" | 91 | n/a[18] |
| 1964 | "Ain't Nothing You Can Do" | "Honey Child" | 20 |
| "Share Your Love With Me" | "After It's Too Late" | 42 |
| "Ain't Doing Too Bad (Part 1)" | "Ain't Doing Too Bad (Part 2)" | 49 |
| 1965 | "Blind Man" | "Black Night" | 78 / 99 |
| "Ain't No Telling" | "Dust Got In Daddy's Eyes" | 93 / - | 25 / 23 |
| "These Hands (Small But Mighty)" | "Today" | 63 | 4 |
| 1966 | "I'm Too Far Gone (To Turn Around)" | "If You Could Read My Mind" | 62 | 8 |
| "Good Time Charlie" | "Good Time Charlie (Working His Groove Bag)" | 75 | 6 |
| "Poverty" | "Building A Fire With Rain" | 65 | 9 |
| "Back In The Same Old Bag Again" | "I Ain't Myself Anymore" | - | 13 |
| 1967 | "You're All I Need" | "Deep In My Soul" | 88 | 6 |
| "That Did It" | "Getting Used To The Blues" | - | 6 |
| "A Touch of the Blues" | "Shoes" | - | 30 |
| 1968 | "Driftin' Blues" | "You Could Read My Mind" | 96 | 23 |
| "Honey Child" | "A Piece Of Gold" | - | - |
| "Save Your Love For Me" | "Share Your Love With Me2 | - | 16 |
| "Rockin' In The Same Old Boat" | "Wouldn't You Rather Have Me" | 58 | 12 |
| 1969 | "Gotta Get To Know You" | "Baby, I'm On My Way" | 91 | 14 |
| "Chains of Love" | "Ask Me 'Bout Nothing (But The Blues)" | 60 | 9 |
| 1970 | "If You've Got A Heart" | "Sad Feeling" | 96 | 10 |
| "If Love Ruled The World" | "Lover With A Reputation" | - | 16 / 28 |
| "Keep On Loving Me (You'll See The Change)" | "I've Just Got To Forget About You" | 89 | 20 |
| 1971 | "I'm Sorry" | "Yum Yum Tree" | 97 | 18 |
| "Shape Up Or Ship Out" | "The Love That We Share (Is True)" | - | - |
| 1972 | "Do What You Set Out To Do" | "Ain't Nothing You Can Do" | 64 | 6 |
| "I'm So Tired" | "If You Could Read My Mind" | - | 36 |
| 1973 | "That's All There Is (There Ain't No More)" | "I Don't Want Another Mountain To Climb" | 42 | 5 |
| "This Time I'm Gone For Good" | "Where Baby Went" | Dunhill | 42 | 5 |
| 1974 | "Goin' Down Slow" | "Up And Down World" | 69 | 17 |
| "Ain't No Love In The Heart Of The City" | "Twenty-Four Hour Blues" | 91 | 9 |
| "I Wouldn't Treat A Dog (The Way You Treated Me)" | "I Ain't Gonna Be (The First To Cry)" | 88 | 3 |
| 1975 | "Yolanda" | "When You Come To The End Of Your Road" | ABC | - | 21 |
| "I Take It On Home" | "You've Never Been This Far Before" | - | 41 |
| 1976 | "Today I Started Loving You Again" | "Too Far Gone" | - | 34 |
| "It Ain't The Real Thing" | "Who's Foolin' Who" | - | 12 |
"Let The Good Times Roll"
Bobby Bland & B. B. King | "Strange Things Happening" | ABC Impulse | - | 20 |
| 1977 | "The Soul of a Man" | "If I Weren't A Gambler" | ABC | - | 18 |
| 1978 | "Sittin' On A Poor Man's Throne" | "I Intend To Take Your Place" | - | 82 |
| "Love To See You Smile" | "I'm Just Your Man" | - | 14 |
| "Come Fly With Me" | "Ain't God Something" | - | 55 |
| 1979 | "Tit For Tat" | "Come Fly With Me" | MCA | - | 71 |
| 1980 | "Soon As The Weather Breaks" | "To Be Friends" | - | 76 |
| 1981 | "You'd Be A Millionaire" | "Swat Vibrator" | - | 92 |
| 1982 | "What A Difference A Day Makes" | "Givin' Up The Streets For Love" | - | - |
| "Recess In Heaven" | "Exactly, Where It's At" | - | 40 |
| "Here We Go Again" | "You're About To Win" | - | - |
| 1983 | "Is This The Blues" | "You're About To Win" | - | - |
| "If It Ain't One Thing" | "Tell Mr. Bland" | - | - |
| 1984 | "Looking Back" | "You Got Me Loving You" | - | - |
| "Get Real Clean" | "It's Too Bad" | - | - |
| "You Are My Christmas" | "New Merry Christmas Baby" | - | - |
| 1985 | "Members Only" | "I Just Got To Know" | Malaco | - | 54 |
| 1986 | "Can We Make Love Tonight" | "In The Ghetto" | - | - |
| 1988 | "Get Your Money Where You Spend Your Time" | "For The Last Time" | - | - |
| "24 Hours A Day" | "I've Got A Problem" | - | - |
| 1989 | "You've Got To Hurt Before You Heal" | "I'm Not Ashamed To Sing The Blues" | - | - |
| "Ain't No Sunshine" | "If I Don't Get Involved" | - | - |
| 1990 | "Starting All Over Again" | "Midnight Run" | - | - |
| "Take Off Your Shoes" | "If I Don't Get Involved" | - | - |
| 1992 | "She's Putting Something In My Food" | "Let Love Have It's Way" | - | - |
| 1993 | "There's A Stranger In My House" | "Hurtin' Time Again" | - | - |
| 1994 | "I Just Tripped On A Piece Of Your Broken Heart" | "Hole In The Wall" | - | - |
| 1995 | "Double Trouble" | "Double Trouble (long version)" | - | - |
